On June 17 2003, the single cover for Madonna’s Hollywood single was revealed. The photo was taken from the photo shoot by Steven Klein for W Magazine.
Hollywood was the second single from the American Life album, released on July 14, 2003.
In April 2003, in an interview with Q Magazine, Madonna described the allure of life in Hollywood:
“I’ve had 20 years of fame and fortune, and I feel that I have a right to an opinion on what it is and what it isn’t. All everyone is obsessed about at the moment is being a celebrity. I’m saying that’s bullshit and who knows better than me? Before it happens you have all kinds of notions about how wonderful celebrity is and how much joy it’s going to bring you. Then you arrive … Look like this you’re gonna be happy. Drive this car you’re gonna be popular. Wear these clothes and people are gonna wanna fuck you. It’s a very powerful illusion and people are caught up in it, including myself. Or I was.”
On June 16 1990, Vogue hit #1 on the Canadian Top 100 Singles chart by RPM magazine.
Vogue would top the chart for three weeks in Canada and would earn a platinum sales certification – a fairly unusual distinction in Canada, where singles are rarely certified.
On June 14 2019, Madonna’s fourteenth studio album, Madame X, was released worldwide on Interscope Records.
In a 4-star (out of 5) review of the album, Slant Magazine’s Sal Cinquemani noted:
“Madonna has a reputation for being a trendsetter, but her true talent lies in bending those trends to her will, twisting them around until they’re barely recognizable, and creating something entirely new. Madame X is fearless, the sound of an artist unapologetically indulging all of her whims and quirks.”
Deluxe Album:
1. Medellín (feat. Maluma)
(Madonna, Mirwais Ahmadzai, Maluma Londono, Edgar Barrera) produced by Madonna & Mirwais 2. Dark Ballet
(Madonna & Mirwais Ahmadzai) produced by Madonna & Mirwais 3. God Control
(Madonna & Mirwais Ahmadzai) produced by Madonna, Mirwais & Mike Dean 4. Future (feat. Quavo)
(Madonna, Thomas Pentz, Brittany Talia Hazzard, Quavious Keyate Marshall) produced by Madonna & Diplo 5. Batuka
(Madonna, Banda, Mirwais Ahmadzai) produced by Madonna & Mirwais 6. Killers Who Are Partying
(Madonna & Mirwais Ahmadzai) produced by Madonna & Mirwais 7. Crave (feat. Swae Lee)
(Madonna, Khalif Malik Ibn Shaman Brown, B T Hazzard) produced by Madonna, Billboard & Mike Dean 8. Crazy
(Jason Evigan, Madonna, B T Hazzard) produced by Madonna, Mike Dean & Jason Evigan 9. Come Alive
(Jeff Bhasker, Madonna, B T Hazzard) produced by Madonna, Jeff Bhasker & Mike Dean 10. Extreme Occident
(Madonna & Mirwais Ahmadzai) produced by Madonna & Mirwais 11. Faz Gostoso (feat. Anitta)
(Carmo, Nuno, Oliveira, Seabra, Vieira, Rodrigues, Madonna) produced by Madonna, Billboard & Mike Dean 12. Bitch I’m Loca (feat. Maluma)
(Madonna, L D’Elia, Londono, Barrera, JAMES, Rodriguez, Stiven Rojas) produced by Madonna & Billboard 13. I Don’t Search I Find
(Madonna & Mirwais Ahmadzai) produced by Madonna & Mirwais 14. Looking For Mercy
(Madonna & B T Hazzard) produced by Madonna, Jeff Bhasker & Mike Dean 15. I Rise
(Jason Evigan, Madonna, B T Hazzard) produced by Madonna & Jason Evigan
Deluxe CD Edition (Bonus Disc):
1. Funana
(Madonna & Mirwais Ahmadzai) produced by Madonna & Mirwais 2. Back That Up to the Beat
(Madonna, Pharrell Williams, B T Hazzard) produced by Madonna, Jeff Bhasker, Mike Dean & Pharrell Williams 3. Ciao Bella
(Madonna & Mirwais Ahmadzai) produced by Madonna & Mirwais
On June 13 2011, The Weinstein Company announced that it had acquired U.S. distribution rights to Madonna’s directorial debut of a feature film, W.E.
Madonna had this to say:
“W.E. is about the nature of true love, and the sacrifices and compromises that are often made. I’ve wanted to tell this story for a very long time, and bringing it to life has been a great adventure for me. I’m looking forward to working with Harvey and The Weinstein Company on this film.”
On June 5 1993, Just A Dream, written and produced by Madonna & Patrick Leonard and performed by Madonna’s long-time backing singer/dancer Donna De Lory, peaked at number-ten on Billboard’s Dance/Club chart. The song was released as the second single from De Lory’s self-titled 1992 album for MCA Records.
Just A Dream had originally been written and recorded during the Like A Prayer sessions. Although Madonna had clearly intended that the album move beyond the boundaries of pure dance/pop and crossover into other styles, she reportedly felt that including Just A Dream would have tipped the balance too far in the direction of rock. When De Lory approached Madonna a few years later about the possibility of providing a song for her first album, Madonna offered Just A Dream, sensing that the song’s rock-edge would be better suited to Donna’s vocal style than her own. Madonna did, however, allow the use of her own vocals on the track, which can be heard blending with Donna’s in the song’s chorus, bridge and, most prominently, during its fadeout.
While unconfirmed, it is assumed that no new production-work – aside from the addition of De Lory’s lead vocal – took place on the released album version of Just A Dream, with the the original Like A Prayer session tracks carried over to Donna’s version and Madonna’s original lead vocal being mixed down to background vocals. The original cut, featuring Madonna’s complete lead vocal track, has yet to surface.
Check out the video for Donna’s version of Just A Dream at the 13:00 minute mark in the following video interview compilation featuring Donna discussing our favorite topic – Madonna:
On June 4 1983, Burning Up/Physical Attraction spent its third and final week at its peak position of number-three on Billboard’s Hot Dance Music/Club Play chart in the U.S.
Available only on 12″ single in the U.S., the release charted as a double A-side single. Its run on the Dance/Club chart spanned a total of sixteen weeks, seven of which were spent in the top-five. In a rather strange marketing twist, a music video was produced for Burning Up while only Physical Attraction was promoted to radio – with a radio edit of the latter being featured on both sides of the rare 7″ promo.
To further confuse matters, the version of Burning Up that was featured on the 12″ was in actuality not a remix, but rather the original Reggie Lucas production of the song. Instead, the two distinct versions of the song that later turned up on different pressings of her debut album were in fact remixes by John “Jellybean” Benitez. Physical Attraction was also remixed by Benitez, with his mix appearing on both the 12″ single and the album. But in a further twist, the radio edit of Physical Attraction that appeared on the international & U.S. promo 7″, and later on the You Can Dance single edits promo-only release, is an edited version of the original Reggie Lucas productions rather than the Jellybean remix.
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