On April 4 2005, Madonna was crowned the most searched celebrity on the Google search engine for the month of March 2005.
Madonna beat out other popular celebrities on Google including Britney Spears, Jennifer Lopez, Ozzy Osbourne, George Michael and Angelina Jolie.
On April 2 2005, Madonna was featured in Q magazine as one of the Five Essential Acts in Music, along with The Beatles, Bob Dylan, U2 and The Velvet Underground.
Q magazine listed Like A Prayer as her definitive album:
If you only buy one album….Like A Prayer. Always more interesting when not seeking novelty, Madonna hit artistic and commercial gold with Like A Prayer, her best and least contrived album. The title track, all swirling choruses and kitchen – sink production, remains her major statement, but Express Yourself was ferocious dance, while on the rarely lauded Dear Jessie she had never sounded so human.
Q magazine also listed what they considered to be Madonna’s essential singles:
Holiday, Borderline, Material Girl, Like A Virgin, Crazy For You, Into The Groove, Papa Don’t Preach, La Isla Bonita, Open Your Heart, Live To Tell, Who’s That Girl, Causing A Commotion, Vogue, Justify My Love, Ray Of Light, Frozen, Drowned World/Substitute For Love, Beautiful Stranger, Music, Hollywood.
On March 31 2004, the first teaser ad for Madonna’s upcoming Re-Invention World Tour appeared in London’s Evening Standard newspaper.
The first ad got readers wondering if Vogue would be performed in the show. Additional ads for Like A Prayer and Music also appeared in the paper.
On March 30 1992, Madonna attended Swifty Lazar’s annual post-Academy Awards party at Spago in Los Angeles. Madonna arrived with Rosie O’Donnell.
On March 29 2015, Madonna performed Ghosttown with Taylor Swift at the iHeartRadio Music Awards.
Here’s what Rolling Stone magazine had to say about the performance:
The 2015 iHeartRadio Music Awards promised there would be “unexpected collaborations” between the marquee artists attending the Los Angeles event, and the ceremony didn’t disappoint as Taylor Swift joined Madonna for an acoustic rendition of the Rebel Heart singer’s new single Ghosttown.
Following the performance, Madonna tweeted, “My new favorite guitar player! Thank you Taylor!”
On March 28 1987, Madonna appeared on the cover of the British magazine, Lookin.
On March 27 2015, Madonna graced the cover of New York gay magazine Next. The magazine included a four-page spread with an interview to the Queen of Queens by John Russell.
Here’s a snippet of the interview between Russell and Madonna:
I counted at least 13 different producers in the album’s liner notes, but it was never Madonna’s intention to work with so many different people on the album. The same health concerns that forced Avicii to cancel his tour in September also threw a wrench into his work on Rebel Heart. Madonna was forced to find other producers to work with on many of the songs they’d started writing together. Meanwhile, Diplo’s touring schedule and other projects meant that his time was limited as well.
“I ended up working with a lot of DJs—young DJs—and I naively didn’t think it through. Oh, it’s summertime, it’s the festivals, and they’re on tour, and I’ll be lucky if I get them for three days, so a lot of that had to factor in. OK, I can’t wait for three months for this dude to come back. I have to find somebody else.”
Of course, art never gets made in a vacuum, something Madonna knows and accepts. “I had to bend my knees and ride the waves.”
The result is an album that, at first, seems all over the map. But it’s tough to judge an album by an artist like Madonna after just one listen. Even if you’re only familiar with her hits, those past gems loom large in comparison to the new material. You’re listening for her next step and at the same time hoping she’ll retain whatever lighting in a bottle quality her early hits had. On first listen, Rebel Heart has its moments, sure. But it’s not until a week after hearing the full album, when I find myself humming Unapologetic Bitch and Ghosttown on the subway, that it really feels like the album clicks into place. Will anyone but diehard Madonna fans—and that’s not an insignificant demographic within her fanbase—listen to the whole album, start to finish, more than once or twice? Probably not. But I’m not sure that matters. Every pop album has to include some forgettable filler tracks—although with the way we consume music these days a la carte, who knows how much longer that model will last. But even at a whopping 19 tracks—23, plus two Living for Love remixes on the Super Deluxe edition—there’s not much fat to trim on Rebel Heart. As a whole, it’s probably Madonna’s most listenable since Confessions on a Dance Floor.
“I didn’t set out to write certain kinds of songs. I just set out to write good songs,” she says. There are dark turns on the album, also a bit of soul searching. And the ballads are particularly strong. Apparently, Madonna set out to write songs that, stripped of all their production, could also work on an acoustic level.
“When we run out of oil and we don’t have electricity, I can just light a candle and strum my guitar and sing you a song.”
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