Today in Madonna History: August 31, 2006

Confessions Tour

On August 31 2006, Madonna played the fourth of four sold-out dates at the Palais Omnisports de Bercy-Paris during her Confessions Tour. The show played to nearly 68,000 fans at the venue during its tour run.

Madonna has become quite familiar with the Palais Omnisports over the years, having played a combined total of 19 sold-out concerts at the venue between 1990 and 2009 for roughly 320,000 fans.

The venue was also used to film two of her shows – 1990′s Blond Ambition Tour and 2004′s Re-Invention Tour. Ironically, both films were used as part of documentaries – Truth or Dare and I’m Going To Tell You A Secret respectively. Since both documentaries focused equally on behind-the-scenes and on-stage content, only select performances could be featured in each. The complete shows for both tours filmed at the venue remain unreleased, much to the bewilderment of fans.

Today In Madonna History: August 20, 2012

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On August 20 2012, a law suit was filed by nine Russians who were offended that Madonna had asked fans to raise their hands to show their support for the Russian LGBT community during a concert stop in St. Petersburg, Russia—where it is illegal to promote homosexuality to minors.

In her speech during the concert, Madonna called for members of Russia’s LGBT community to be “treated with dignity, with respect, with compassion, with love,” and took the country to task for crackdowns on those who expressed opposition against the country’s oppressive laws.

“I feel people are becoming more and more afraid of people who are different; people are becoming more intolerant,” she said. “It’s a very scary time, but we can make a difference. We can change this. We have the power. And we don’t have to do it with violence; we just have to do it with love.”

Although the suit did make it to trial in November 2012, it was promptly dismissed by the presiding judge after briefly questioning the plaintiffs about the arbitrary nature of the case given the volume of contemporary entertainment which contains “positive references to homosexuality.” The suit had sought damages of approximately $10.5 million from Madonna, the organizer of her concert, and the hall where it was held.

Today in Madonna History: August 19, 1997

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On August 19 1997, “Buenos Aires” (from “Evita“) was released as a promo-only single to club DJs and radio stations in the USA to promote “Evita” on video.

Here is a full listing of the different mixes of “Buenos Aires“:

World Mix Edit
World Mix Edit – Shorter
Te Amo 12″ Extended Vocal Version
Te Amo 12″ Extended Instrumental Version
Te Amo 12″ TV Dub
Te Amo 12″ Acapella Version
Te Amo Single Edit
Te Amo Radio Version

Today In Madonna History: August 2, 1985

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On August 2 1985, Madonna lost a court battle against director Stephen Jon Lewicki over the video release of A Certain Sacrifice. The low-budget indie film starring Jeremy Pattnosh and Madonna was shot sporadically over a two-year period in New York City between 1979 and 1981. The film also featured Madonna’s former Breakfast Club bandmate Angie Smit in a minor role.

Madonna was said to have been unhappy with the inclusion of several topless scenes in the film, although it has also been reported that despite instigating the court case, her lawyers did not present much of an argument during the proceedings, leading some to speculate that she had no serious interest in blocking the release of the film. After a limited number of screenings in New York in October 1985, the film was quickly issued on home video and laserdisc in order to capitalize on Madonna’s fame. In more recent years, the film has been reissued on DVD.

Lewicki was not the only person attached to the film who was attempting to hitch a ride on Madonna’s wave of success in the mid 1980′s. While it is unclear whether he was involved as an extra or behind the scenes, top Madonna mooch Otto Von Wernherr is also thanked in the film’s credits. It does not appear that any of his music was used in the film, which for once is actually unfortunate because Von Wernherr’s songs would have sounded right at home alongside the truly bizarre musical selections, including several by Pattnosh, that are showcased throughout A Certain Sacrifice.  Perhaps it was Lewicki’s fringe fetish that ruled out the possibility of using any of Madonna’s pre-Warner tunes in the film?