On August 14 2012, Madonna’s first make-up artist, and close friend, Debi Mazar spoke to Allure.com’s beauty editor, Sophia Panych about what Madonna’s hair and make-up was like for The Virgin Tour in 1985:
Her hair was long and wild, and she had just had her bangs cut. She had this thick, curly, gorgeous hair—thicker than anyone else I knew—and it didn’t really need much. I just tried to make sure her bangs nicely framed her face and make sure it moved well, rather than creating a polished look. Really, it was more about the music and the show. We just wanted her to look good, get on stage, and do the damn tour. Plus, she was in her twenties: Her skin was good, and as long as you had bright lipstick and good hair, the crowd didn’t care—they just wanted to dance.
On May 23 1985, Madonna accepted a Canadian Quadruple Platinum certification award for shipment of over 400,000 copies of her second album, Like A Virgin, within Canada. The award was presented by WEA Canada’s VP of sales Garry Newman to Madonna and Sire Records president Seymour Stein prior to her sold-out Toronto concert at Maple Leaf Gardens.
Like A Virgin was eventually certified (in July, 1992) with the rare Canadian Diamond certification for shipment of over one million copies in Canada. The only other Madonna album to date to receive Diamond certification in Canada is True Blue, which managed to achieve the feat within a year of its release. To date, only eighteen albums in total (by any artist or musical group) have received a Diamond certification in Canada.
On May 13 1985, Madonna was featured on the cover of People Magazine.
The headline: That Man-Smasher Madonna! On Tour
Once Madonna was expected to fizzle, but with a hit film and a sold-out tour, she’s now the hottest item in showbiz.
On April 10 1985, Madonna’s Virgin Tour opened with 3 sold-out concerts at the Paramount Theatre in Seattle, Washington.
During a 2009 interview with Rolling Stone, interviewer Austin Scaggs asked Madonna regarding her feelings and emotions during the tour, since it was the first time she was playing in arenas. Madonna replied saying, “That whole tour was crazy, because I went from playing CBGB and the Mudd Club to playing sporting arenas,” she told the magazine. “I played a small theater in Seattle, and the girls had flap skirts on and the tights cut off below their knees and lace gloves and rosaries and bows in their hair and big hoop earrings. I was like, ‘This is insane!’ After Seattle, all of the shows were moved to arenas.”
Madonna had three shows in Seattle – April 10, 12 and 13 – and all three were sellouts by the time she took the stage that first night. The Beastie Boys opened for Madonna and they weren’t well received by the pro-Madonna crowd. The show was a year before “Licensed to Ill” was released.
Their 30-minute set got off to a bad start when one of the Beastie Boys declared himself King of the Paramount, and generally made the pro-Madonna audience feel like a swarm of hillbillies, P-I pop music critic Gene Stout wrote in his review.
“Dressed in what looked like a Boy George outfit, she looked reluctant, almost scared, and kept her eyes on the ground as she and her small entourage swept past a modest gathering of fans,” Stout wrote.
Madonna started the show with Dress You Up, followed with Holiday, and performed Borderline for the first time live as her seventh song. Madonna ended by debuting Material Girl as her encore.
On October 3 1985, Madonna’s second single from the motion picture Vision Quest, Gambler was released by Geffen Records in select markets.
Gambler was entirely self-written by Madonna and produced by John “Jellybean” Benitez.
Gambler was never released in the United States, but it went to #4 in the UK. The single also reached the top-ten in the charts of Australia, Belgium, Ireland, Ireland, Netherlands and Norway.
The music video for the song is an excerpt from the film.
Madonna has performed the song only once, on her Virgin Tour in 1985.
Alex Henderson from Allmusic called the song “an ultra-infectious gem that, unfortunately, isn’t on any of the Material Girl’s CDs” and felt that Gambler should have been a big hit.
Would you like to see Madonna perform “Gambler” on a future concert tour?