Today in Madonna History: May 18, 2015

ghosttown cover

On May 18 2015, the remix EP for Ghosttown was released by digital retailers. The release followed the news that song had hit the number-one position on Billboard’s Hot Dance/Club chart. It became her 45th song to top the dance chart – the most number-ones for any artist on any Billboard chart.

Tracklist:

01 – Ghosttown (Offer Nissim Drama Remix) – 07:17
02 – Ghosttown (Armand Van Helden Remix) – 06:16
03 – Ghosttown (S-Man Mix) – 06:08
04 – Ghosttown (Razor N Guido Remix) – 07:46
05 – Ghosttown (Mindskap Remix) – 05:35
06 – Ghosttown (Don Diablo Remix) – 04:47
07 – Ghosttown (Dirty Pop Intro Remix) – 05:20
08 – Ghosttown (DJ Mike Cruz Mix Show Edit) – 07:05
09 – Ghosttown (THRILL Remix) – 06:27
10 – Ghosttown (DJ Yiannis String Intro Mix) – 01:40

Today in Madonna History: April 13, 1995

paolo roversi 1 1994 550ROVERSI - FLOWER IN HAND - ANOTHER VERSION

On April 13 1995, Bedtime Story was released as a single in North America by Maverick/Sire as the third single from the album Bedtime Stories. The song was written by Björk, Nellee Hooper & Marius DeVries and was produced by Madonna & Nellee Hooper.

The commercial maxi-single featured remixes by Junior Vasquez and Orbital. Additional promo-only remixes by Mark Picchiotti & Teri Bristol were also later serviced to clubs.

Bedtime Story was released in Europe in February but the release was delayed for several months in North America due to the prolonged chart reign of her previous single, Take A Bow.

Today in Madonna History: April 3, 1993

fever uk cds fever uk cds inner

On April 3 1993, Fever entered the UK Singles Chart at its peak position of number-six. Without the support of a proper music video at the time of its release (Warner UK instead issued a rarely seen compilation video of previous clips), the single spent only six weeks on the UK charts, dropping to number-seven the following week.

Strangely, Madonna did eventually decide to film a video for the song in late April  – nearly a month after its release in Europe. By the time the video premiered during the second week of May, Fever was spending its final week on the UK Singles Chart.

In North America the remixes for Fever had been issued commercially on Madonna’s previous international single, Bad Girl. Fever was also serviced to clubs as a promotional single in its own right, but it was not promoted to radio despite the video being added to into rotation on MTV and MuchMusic. While the release of the music video managed to coincide with Fever’s single week atop the Hot Dance/Club Play chart, its number-one status had already been confirmed several days prior to the clip’s debut, making the video’s intended purpose and the timing of its release all the more puzzling.

Today in Madonna History: March 17, 1994

i'll remember usa sheet music

On March 17 1994, the music video for I’ll Remember (Theme From With Honors) premiered on BBC1-TV’s Top Of The Pops in the UK.

I’ll Remember began as a collaboration between Richard Page (of 80’s band Mister Mister) and Patrick Leonard. Leonard had been asked by Madonna to score Alek Keshishian’s film With Honors, and had also been collaborating with Page on an upcoming Toy Matinee album. When Leonard played an early demo of I’ll Remember for Madonna, she loved it and decided to record it with new lyrics she had written. The song was produced by Madonna & Patrick Leonard, with Page providing additional backing vocals.

Madonna had previously crossed paths with Richard Page when he presented her with a trophy at the 1987 American Music Awards.

ama 1987 richard page

Today in Madonna History: March 3, 2000

American Pie Canadian CDMS Cover American Pie Canadian CDMS Inside Cover

On March 3 2000, American Pie was released as a single in the UK. The cover of the Don McLean classic would hit number-one on the UK singles chart the following week.

A huge international hit, American Pie also topped the charts in Canada, Australia, Switzerland, Italy, Germany, Austria and Finland. In the U.S. the track was not released commercially in a strategic move designed to maximize sales of The Next Best Thing soundtrack, however it managed to reach number twenty-nine on the Hot 100 based on the strength of airplay alone.