On September 26 1988, Madonna began recording the Like A Prayer album in Los Angeles, California with collaborators Patrick Leonard and Stephen Bray.
Madonna had begun writing for the album during down time of her Broadway run in David Mamet’s Speed-The-Plow, for which she gave her final performance in late August. With her marriage to Sean Penn on the rocks, Madonna found herself at a personal and creative crossroads–with plenty to express.
On September 22 1998, The Power of Good-Bye was released as the third North American single from the Ray Of Light album. It was the fourth single in international markets that opted to release Drowned World/Substitute For Love as the album’s third single.
In the UK, the release was promoted as a double A-side single with Little Star.
The Power Of Good-Bye was written by Madonna & Rick Nowels and was produced by Madonna, William Orbit & Patrick Leonard. An earlier demo version of the track, believed to have been produced by Madonna & Leonard prior to Orbit’s involvement in the project, leaked in 2002.
On August 10 1985, Into The Groove spent the first of two weeks in the number-one position on the UK Singles Chart. It was Madonna’s first chart-topping single in the UK, where she has collected a total of thirteen number-one hits to date.
As an added validation, Into the Groove was Madonna’s first attempt at co-producing a song. While artists co-producing their own work is common today, it was relatively unusual at the time, particularly for female artists. The immense success of the single undoubtedly helped convince the powers at Sire/Warner to grant Madonna the artistic freedom to co-produce her next album, True Blue, together with her collaborators Stephen Bray and Patrick Leonard.
On August 1 1989, the third single from Madonna’s Like a Prayer album, Cherish, was released by Sire Records. The song was written and produced by Madonna an Patrick Leonard.
The single was released on 7″, 12″, CD and cassette single formats. The b-side featured a previously unreleased track, Supernatural.
Biographer J. Randy Taraborrelli talking about Cherish in his book, Madonna: An Intimate Biography:
“Cherish was a particular triumph for the Madonna/Patrick Leonard partnership. A delightful confection of radio-ready proportions, the song had it all—strong, positive, remarkably dysfunction-free lyrics about love, a memorable, singalong vocal melody, and a tight, pungent rhythm arrangement. It remains, quite simply, one of the best songs Madonna has ever written; sweet and happy, but by no means corny, it’s a perfectly constructed pop song which Madonna delivered beautifully, and with undeniably sassy charm. Indeed, if Cherish had been released in the Sixties, it would have most likely emanated from Detroit’s Motown or the New York song writing Mecca, the Brill Building.”
On June 22 1990, the second and final single from Madonna’s I’m Breathless album, Hanky Panky, was released in North America.
Greg Sandow, from Entertainment Weekly, called the song a “delightful challenge to censorship”.
On June 18 1994, Madonna’s I’ll Remember reached #1 on the Billboard Adult Contemporary chart in the USA.
I’ll Remember topped the Adult Contemporary chart for four consecutive weeks, becoming Madonna’s fourth number-one on this chart following Live to Tell, La Isla Bonita and Cherish.
On June 5 1993, Just A Dream, written and produced by Madonna & Patrick Leonard and performed by Madonna’s long-time backing singer/dancer Donna De Lory, peaked at number-ten on Billboard’s Dance/Club chart. The song was released as the second single from De Lory’s self-titled 1992 album for MCA Records.
Just A Dream had originally been written and recorded during the Like A Prayer sessions. Although Madonna had clearly intended that the album move beyond the boundaries of pure dance/pop and crossover into other styles, she reportedly felt that including Just A Dream would have tipped the balance too far in the direction of rock. When De Lory approached Madonna a few years later about the possibility of providing a song for her first album, Madonna offered Just A Dream, sensing that the song’s rock-edge would be better suited to Donna’s vocal style than her own. Madonna did, however, allow the use of her own vocals on the track, which can be heard blending with Donna’s in the song’s chorus, bridge and, most prominently, during its fadeout.
While unconfirmed, it is assumed that no new production-work – aside from the addition of De Lory’s lead vocal – took place on the released album version of Just A Dream, with the the original Like A Prayer session tracks carried over to Donna’s version and Madonna’s original lead vocal being mixed down to background vocals. The original cut, featuring Madonna’s complete lead vocal track, has yet to surface.
Check out the video for Donna’s version of Just A Dream at the 13:00 minute mark in the following video interview compilation featuring Donna discussing our favorite topic – Madonna: