On July 2 1990, Madonna was featured on the cover of People Magazine with Warren Beatty to promote Dick Tracy.
“Tell me you want me,” Breathless Mahoney implores to Dick Tracy in the wide-screen moonlight. “Tell me you want it all.”
On June 25 2001, Madonna was featured on the cover of People Magazine.
Kicking off her latest tour, the Material Mom shows Barcelona she hasn’t lost a step – or her nerve.
She strutted across the stage at Barcelona’s Palau Sant Jordi stadium as a snarling punk rocker. Then she became a shotgun-wielding geisha; next, a cowgirl gyrating on a mechanical bull. Clearly, marriage and motherhood haven’t mellowed Madonna. As nannies minded daughter Lourdes, 4, and son Rocco, 10 months, at a nearby villa, husband Guy Ritchie, 32, watched from the sound-board as the 42-year-old queen of pop mesmerized 18,000 fans on June 9, opening night of her 14-week Drowned World Tour—her first since 1993. Reports backup singer Niki Haris at a postconcert party: “Madonna was very, very happy. And tired.”
Did you see Madonna live during the Drowned World Tour? Where did you see her?
On June 13 1991, Madonna was featured on the cover of Rolling Stone magazine. The feature included a photo spread shot by Steven Meisel.
Madonna has no equal at getting attention. She often seems to behave like someone who has been under severe restraint and can now say and do whatever she likes without fear of reprisal. She delights in being challenged, in telling more than she had planned, in going further than she had intended. And judging from her new film Truth or Dare, there is no “too far” for Madonna.
On June 1 1990, Madonna was controversially featured grabbing her crotch and breast on the cover of Interview magazine.
Madonna was interviewed by Glenn O’Brien at the Disney Studios, where she was rehearsing the Blond Ambition Tour. Here’s a snippet from the interview:
Glenn: Let’s talk about your show.
Madonna: Let’s not. Today was a horrible day. That was the worst rehearsal.
Glenn: Well, I liked it, but I haven’t seen it when you thought it was good. I loved the number where you’re lying on the piano singing a torch song.
Madonna: You saw only one segment of the show. I’ve created five different worlds, and the set is all based on hydraulics. One is going down and another is coming up. The world changes completely. I think of it more as a musical than as a rock concert. There is a straightforward Metropolis section, like my Express Yourself video – that set with all the gears and machinery; it’s very hard and metallic. That’s the heavy-duty dance music. Then the set changes and it’s like a church. We call it the temple ruins. It’s all these columns, trays of votive candles, a cross. I do Like a Virgin on a bed, but we changed the arrangement, so it sounds Indian. Then I’m being punished for masturbation on this bed, which is, as you know, what happens. Then we do the more serious, religious-type material – Like a Prayer, Papa Don’t Preach… Then it changes to what you saw, this Art Deco ’50s-musical set. That’s when we do three songs from Dick Tracy, and then after that we do what I call the camp section. Then it gets really serious again and we go into our Clockwork Orange cabaret set.
On May 26 1997, Madonna appeared on the cover of People magazine as part of the “New Sexy Moms” feature.
Here’s an excerpt from the article:
Even Madonna, who moved a month before Lourdes’s birth from her Hollywood Hills mansion to a more baby-friendly one-story spread in a quieter neighborhood, is becoming downright strait-laced. “TV is poison,” saying that she would forbid Lourdes to watch it. “To be plopped in front of a television instead of being read to or talked to or encouraged to interact with other human beings is a huge mistake.”
On May 7 1990, Madonna graced the cover of People magazine.
The headline: Madonna’s new tour: her most outrageous act yet
A sample of the article by Montgomery Brower and Todd Gold:
After routinely violating almost every taboo about sex, sacrilege and the public display of underwear, what’s a girl to do for new material? Madonna revealed her answer in Japan, where she kicked off a four-month tour that will no doubt delight fans, fetishists, cross-dressers and topic-starved conservative columnists the world over. Mimed masturbation? Madonna’s got it, during “Like a Virgin.” Topless guys in foot-long pointy brassieres? They pop up a third of the way through the show. A hint of discipline? “You may not know the song, but you all know the pleasures of a good spanking,” Madonna cooed after “Hanky Panky,” an ode to the joy of the slap. Granted, there are quieter moments—Madonna as housewife in curlers, Madonna with fish-tailed mermen—but before you know it, there she goes again, confessing in song to a guy dressed as a priest. The 105-minute hullabaloo is amazing for its breadth of controversy. Perhaps even more remarkable is the fact that, so far as can be determined, not one of the show’s seven dancers has been sidelined with a groin injury.
“She said, ‘Let’s break every rule we can,’ ” says choreographer Vince Paterson. “She wanted to make statements about sexuality, cross-sexuality, the church and the like. But the biggest thing we tried to do is change the shape of concerts. Instead of just presenting songs, we wanted to combine fashion, Broadway, rock and performance art.”