On August 30 2012, “Turn Up The Radio” jumped to the top position on the Billboard Hot Dance/Club Play Chart, earning her a record-extending 43rd number-one single on the chart.
Marking a sign of the times, the single and remixes were sold exclusively to digital retailers and were sadly not given a physical release on any format (aside from scarce promotional copies), in any country. This was the first time in Madonna’s career that an international commercial single was unavailable to record shops and collectors either through domestic distribution or as an import.
We hope that Interscope realizes that there are many old-school Madonna fans who still enjoy collecting physical releases – and we’re willing to pay for them. So what will it be Interscope? Would you like to earn some extra bucks with the singles from Madonna’s next album, or are you going to leave collectors with padded pockets?
On August 29 1989, the music video for “Cherish” – the third single from the album Like A Prayer – premiered in Canada.
The song was written by Madonna & Patrick Leonard and was one of the first tracks completed for the album. Madonna had been reading Shakespeare’s Romeo & Juliet during breaks from rehearsals for the play Speed The Plow, which inspired the lyrics for the song.
The video was filmed on July 22, 1989 at Paradise Cove Beach in Malibu, California. It marked the first time that late photographer Herb Ritts had crossed over to shooting and directing a music video, which he agreed to do reluctantly at Madonna’s insistence. He quickly became a highly sought-after music video director, winning numerous awards for his work within the medium.
“Cherish” hit the top of the charts in Canada on October 9th, spending two weeks at number-one. It went on to become the ninth best-selling single of the year with a total of seventeen weeks on the RPM Singles chart.
While no maxi-single was issued for “Cherish” in North America, the single included the previously unreleased Like A Prayer outtake “Supernatural” – another collaboration with Patrick Leonard.
On July 26 1986, “Papa Don’t Preach” spent its third and final week at number-one on the UK singles chart. It was certified Gold by BPI on August 1st, 1986 for shipment of over 500,000 copies, based on certification thresholds at that time. With a chart run extending for 15 weeks, the single ranked #8 overall in the UK’s year-end charts tally.
The song was a massive hit across Europe, topping the Eurochart for an incredible eleven week stretch from August 2nd through October 11th, 1986 when it was finally overtaken by none other than Madonna herself with the follow-up single, “True Blue.“
Although “Justify My Love” is often cited as being the first-ever video single, it is interesting to note that it was actually not the first Madonna music video to be marketed commercially as a single. Possibly an attempt to cash-in on the success and controversy surrounding “Papa Don’t Preach” or more likely as a means of testing out new marketing possibilities for a hybrid laserdisc/cd format, Warner issued limited quantities of “Papa Don’t Preach” as a CD Video in the US, UK and Japan containing three audio tracks along with the music video. Perhaps anticipating the limited appeal of the format, Warner did not bother modifying the track-listing to include the appropriate b-sides in either the UK (“Ain’t No Big Deal“) or Japan (“Think Of Me“), instead opting to issue the US b-side (“Pretender“) on all three pressings. Stranger still was the release date – 1988 – two years after the standard single hit stores. Needless to say, this early attempt to market a music video single did not stir public interest the way it would in 1990, and the concept went into hibernation mode until Madonna gave audiences a video single they were willing to pay for.
On May 16, 1994, Madonna’s “I’ll Remember (Theme From With Honors)” became the number-one single in Canada. The song remained at the top of the Canadian singles chart for five weeks before finally being dislodged on June 20th by All-4-One’s hit, “I Swear”. Incidentally, it was the same song that blocked “I’ll Remember” from reaching the top spot on the Billboard Hot 100 in the U.S., where it spent four weeks in its peak position of number-two.