On April 26 1994, The Girlie Show – Live Down Under was released by Warner-Reprise Video on VHS and laserdisc.
The concert – recorded on November 19, 1993 at the Sydney Cricket Ground in Australia – was a re-edited version of the concert special that had aired live on HBO. It was directed by Mark “Aldo” Miceli, who directed the live screens on Madonna’s 1990 and 1993 tours, as well as the Blond Ambition Japan Tour 90 VHS/laserdisc release. The Girlie Show – Live Down Under was nominated for a Grammy in 1995 for Best Long Form Music Video and was also one of the first concerts to be commercially issued on DVD in 1998.
On March 28 2004, Madonna.com confirmed that the following dates for the Re-Invention Tour had sold out:
LONDON – Earls Court – 2 shows SOLD OUT (90 minutes per show)
TORONTO – Air Canada Centre – 3 shows SOLD OUT (1 hour 20 minutes)
CHICAGO – United Center – 3 shows SOLD OUT (2 hours)
FT. LAUDERDALE – Office Depot Center – 1 show SOLD OUT
MIAMI – American Airlines Arena – 1 show SOLD OUT
LAS VEGAS – 1 show SOLD OUT
On January 14 1984, Madonna made her North American network television debut, performing Holiday on ABC-TV’s American Bandstand – hosted by Dick Clark.
On August 26 2001, Madonna Live! Drowned World Tour 2001 was broadcast live on HBO and The Movie Network in Canada from The Palace Of Auburn Hills, Auburn Hills, MI. It was seen by 5.7 million viewers – the network’s third highest rated prime-time concert special since 1997.
The broadcast marked the second time Madonna had selected her hometown as a location to record one of her shows, the first being The Virgin Tour home video/laserdisc release, filmed in 1985 at Cobo Arena in Detroit.
With the Drowned World Tour itinerary not including any dates in Canada, many Canadian fans who purchased tickets for one of the two shows in Detroit were pleasantly surprised when it was announced that the second show would be broadcast live in both countries. Madonna’s previous HBO specials for the Blond Ambition and Girlie Show tours did not receive a live broadcast in Canada, although the latter did air on MuchMusic at a later date.
On August 24 1998, “Drowned World/Substitute For Love” was released as the third single from Ray Of Light in most major markets outside North America. The song was written by Madonna, William Orbit and David Collins (Rod McKuen and Anita Kerr were also credited for sampled use of their composition “Why I Follow The Tigers” performed by The San Sebastian Strings) and was produced by Madonna and Orbit.
With the album’s title track being issued as the second single in North America a month after its release in other markets, it was decided to release “Drowned World/Substitute For Love” to fill the gap until her next international single release, “The Power Of Good-bye.” The single peaked at number-ten in the UK, at number-five in Italy and at number-one in Spain. Despite not being released in Canada, the song managed to reach number eighteen on the Canadian singles chart based solely on sales of the European import single, and without any promotion from radio or music video stations. Club play of the imported single, which featured remixes of both “Drowned World/Substitute For Love” and its b-side, “Sky Fits Heaven,” prompted a brief appearance by the latter on the U.S. Hot Dance/Club Play Chart, peaking at number forty-one.
The music video, filmed in London by director Walter Stern, caused a minor controversy due to scenes of Madonna’s car being chased by paparazzi on motorcycles, an image still fresh in the public’s mind at the time due the circumstances surrounding the death of Princess Diana. Liz Rosenberg denied that the scene had anything to do with the late Princess, adding that the video was about Madonna’s own experience and relationship with fame.
The song is often ranked as a fan favorite and seems to be highly-regarded by Madonna as well, considering her 2001 concert tour was named after the song and it was used as the show’s opening number. It was also performed during 2006’s Confessions Tour and appeared on her second greatest hits collection, GHV2. An early demo version of the song believed to be produced with Patrick Leonard titled “No Substitute For Love” leaked online in the early 2000’s. The demo contains similar lyrics but a completely different musical backing track and melody. The music that was used on the final version of the song was a previously composed instrumental track by William Orbit.
Famous faces, far off places
Trinkets I can buy
No handsome stranger, heady danger
Drug that I can try
No ferris wheel, no heart to steal
No laughter in the dark
No one-night stand, no far-off land
No fire that I can spark
On August 20 2012, a law suit was filed by nine Russians who were offended that Madonna had asked fans to raise their hands to show their support for the Russian LGBT community during a concert stop in St. Petersburg, Russia—where it is illegal to promote homosexuality to minors.
In her speech during the concert, Madonna called for members of Russia’s LGBT community to be “treated with dignity, with respect, with compassion, with love,” and took the country to task for crackdowns on those who expressed opposition against the country’s oppressive laws.
“I feel people are becoming more and more afraid of people who are different; people are becoming more intolerant,” she said. “It’s a very scary time, but we can make a difference. We can change this. We have the power. And we don’t have to do it with violence; we just have to do it with love.”
Although the suit did make it to trial in November 2012, it was promptly dismissed by the presiding judge after briefly questioning the plaintiffs about the arbitrary nature of the case given the volume of contemporary entertainment which contains “positive references to homosexuality.” The suit had sought damages of approximately $10.5 million from Madonna, the organizer of her concert, and the hall where it was held.
On August 1 1990, “Madonna In Concert” was taped by SACIS-RAI at Olympic Stadium in Barcelona, Spain on the second to last date of Madonna’s Blond Ambition Tour.
The special was broadcast in Spain, Italy, the UK and Australia. It also aired on Canada’s MuchMusic on September 10, 1990. After being heavily promoted by the channel in the weeks leading up to the broadcast, the special aired in an edited version during its prime time slot, followed by an uncensored airing at midnight.
In addition to its intended use for broadcast, the recording also served as an unused safety net for her HBO special from the final date in Nice, France a few days later.