On May 9 1991, a new music video for Like A Virgin featuring live and behind-the-scenes footage was released exclusively to MTV in the U.S. to promote the film Truth Or Dare. Outside the U.S., video channels were instead serviced with a live video for Holiday (which was eventually issued within the U.S. as well).
The Truth Or Dare clip for Like A Virgin was nominated for two MTV Video Music Awards in 1991: Best Choreography and Best Female Video. It marked the third time that a video for Like A Virgin had been nominated for an MTV Video Music Award for Best Choreography. The original video received three nominations in 1985 including a nod for best Choreography, and another live clip (which was also released exclusively to MTV) to promote the home video release of The Virgin Tour was also nominated in the category in 1986. Despite the numerous nominations, none of the three videos for Like A Virgin garnered any trophies from MTV.
On April 6 1990, Madonna’s Vogue maxi single was released.
Here is the allmusic.com review of the maxi single:
Vogue, the first single from Madonna’s Dick Tracy-inspired 1990 album I’m Breathless, was arguably one of her crowning artistic achievements (both song-wise and video-wise), one of the biggest all-time house music hits (spending three weeks atop the U.S. pop charts), and her second proper U.S. maxi-single release. The single includes four versions: the single version, the 12″ version, the Bette Davis Dub, and the Strike-A-Pose Dub. The song’s most definitive version, that being the album/video version, is not on the single. The single version, where she asks “what are you looking at,” begins with drumbeats and goes straight into the song, as opposed to the album version’s minute-long introduction. Besides the different intros, however, the rest is the same. The 12″ version is, naturally, quite longer, and just as good. The “Bette Davis Dub” begins with the extended album intro, but, save for the chorus and the “rap,” is virtually instrumental, as is the last mix, which cleverly uses samples from Like a Virgin. This disc’s main selling point is the fact that it’s a collection piece, and for collectors and diehards, it’s nice to have the single edit and 12″ mix. But if one is a casual fan, go with the album version.
On March 16 1995, Madonna’s The Immaculate Collection was certified 6x platinum (6 million units) in the USA.
Review by Stephen Thomas Erlewine (allmusic.com):
On the surface, the single-disc hits compilation The Immaculate Collection appears to be a definitive retrospective of Madonna’s heyday in the ’80s. After all, it features 17 of Madonna’s greatest hits, from Holiday and Like a Virgin to Like a Prayer and Vogue. However, looks can be deceiving. It’s true that The Immaculate Collection contains the bulk of Madonna’s hits, but there are several big hits that aren’t present, including Angel, Dress You Up, True Blue, Who’s That Girl and Causing a Commotion. The songs that are included are frequently altered. Everything on the collection is remastered in Q-sound, which gives an exaggerated sense of stereo separation that often distorts the original intent of the recordings. Furthermore, several songs are faster than their original versions and some are faded out earlier than either their single or album versions, while others are segued together. In other words, while all the hits are present, they’re simply not in their correct versions. Nevertheless, The Immaculate Collection remains a necessary purchase, because it captures everything Madonna is about and it proves that she was one of the finest singles artists of the ’80s. Until the original single versions are compiled on another album, The Immaculate Collection is the closest thing to a definitive retrospective.
On January 10 1985, Madonna began filming the Material Girl music video in Los Angeles, California. The video was directed by Mary Lambert. Madonna met Sean Penn on the set.
In a 1987 interview with New York Daily News, Madonna talked about the concept for the video:
“My favorite scene in all of Marilyn Monroe’s movies is when she does that dance sequence for ‘Diamonds Are a Girl’s Best Friend’. And when it came time to do the video for the song Material Girl, I said, I can just redo that whole scene and it will be perfect. Marilyn was made into something not human in a way, and I can relate to that. Her sexuality was something everyone was obsessed with and that I can relate to. And there were certain things about her vulnerability that I’m curious about and attracted to.”
Reflecting on the song, Madonna told author J. Randy Taraborrelli:
“I can’t completely disdain the song and the video, because they certainly were important to my career. But talk about the media hanging on a phrase and misinterpreting the damn thing as well. I didn’t write that song, you know, and the video was about how the girl rejected diamonds and money. But God forbid irony should be understood. So when I’m ninety, I’ll still be the Material Girl. I guess it’s not so bad. Lana Turner was the Sweater Girl until the day she died.”
On November 24 2003, Madonna’s Remixed & Revisited remix album was released by Maverick Records and distributed by Warner Bros. Records. The album contains four songs, in remixed form, from her 2003 ninth studio album American Life and a previously unreleased song, Your Honesty originally written for her 1994 sixth studio album Bedtime Stories. The other tracks included are the live performance of Like a Virgin and Hollywood from the 2003 MTV Video Music Awards—which ended with Madonna kissing co-performers Britney Spears and Christina Aguilera—and a remix of the 1985 single Into the Groove.
Nothing Fails (Nevins Mix)
Love Profusion (Headcleanr Rock Mix)
Nobody Knows Me (Mount Sims Old School Mix)
American Life (Headcleanr Rock Mix)
Like a Virgin / Hollywood Medley (2003 MTV Video Music Awards Live)
Into the Hollywood Groove (The Passengerz Mix)
On September 14 1984, Madonna performed “Like A Virgin” and was nominated for Best New Artist Video (“Borderline”) at the 1st annual MTV Video Music Awards at Radio City Music Hall, New York, NY.
Madonna recalled the infamous performance in a 2012 interview on The Tonight Show with Jay Leno: “I was standing at the top of a wedding cake, as one does, and I walked down these steps, which were the tiers of a wedding cake. And I lost my shoe. I lost my white stiletto. And I thought, ‘Oh god, how am I going to get that? It’s over there and I’m on TV.’ So I thought well, I’ll just pretend I meant to do this and I dove on to the floor and I rolled around and I reached for the shoe. And, as I reached for the shoe, the dress went up. And the underpants were showing and uhm, I didn’t mean to…” To which Leno chided: “And it became the greatest night in television history.”
We’re not too sure about Madonna’s recollection of the performance. Looks like the shoes came off quite intentionally to us. Check out the video and let us know what you think!