On February 2 1985, Sidewalk Talk peaked at #1 on the Billboard Hot Dance/Club Play chart. The song was written by Madonna, who also contributed vocals on the chorus and bridge while the verses were performed by Catherine Buchanan. Madonna gifted the song to producer/remixer/DJ/boyfriend Jellybean Benitez for use on his debut EP, Wotupskii!!?! and it was promoted to clubs by EMI Records in October, 1984. It was eventually issued as a commercial single, climbing to #18 on the Billboard Hot 100.
Sidewalk Talk was arranged by Stephen Bray & Benitez with vocal arrangement by Madonna, according to the album’s liner notes. Madonna’s lyrics to the song recall her early years in New York and some of the challenges she encountered adjusting to big city life.
On December 29 2001, megamixes issued to promote Madonna’s second greatest hits collection, GHV2, made their debut on Billboard’s Hot Dance Music/Club Play chart in the U.S. at #29.
Several promo-only singles were issued by Maverick/Warner featuring megamixes by Thunderpuss, Tracy Young and Johnny Rocks with Mac Quayle and charted collectively under the title Madonna Megamix.
An additional marketing push to club DJ’s came in the form of GHV2 Remixed: The Best of 1991-2001 – a promo-only companion collection issued on CD and vinyl that compiled full-length remixed versions of songs featured on GHV2.
On December 13 2003, “Nobody Knows Me (P. Rauhofer, Above & Beyond, Mount Sims Mixes)” hit #4 on Billboard’s Hot Dance Music/Club Play chart in the US.
The track from American Life had been serviced to clubs as a promo-only 12-inch, with the remixes being issued commercially in North America as part of the Nothing Fails maxi-single.
(Thanks to ElOr98 for sharing the video!)
((and to aviddiva for making it!!))
On August 27 1983, Holiday/Lucky Star made its debut on Billboard’s Hot Dance Music/Club Play chart in the U.S., entering at #31.
The promo-only double A-side single was serviced to clubs by Sire/Warner in order to gauge public interest before deciding which track should be promoted to radio. Although technically serving as the B-side, Holiday was given top billing for its chart entry when it proved to be the more popular selection with club DJ’s. It was subsequently issued as Madonna’s third commercial single in North America, while Lucky Star was released as her fifth single a year later.
On July 6 1985, Angel/Into The Groove reached number-one on the Billboard Hot Dance Club Play chart in the U.S., where it spent a single week. It was Madonna’s fourth release to top the Dance chart.
Due to the fact that both sides of the commercial single received a substantial amount of club play, the release charted as Angel/Into The Groove on the Hot Dance Club Play chart. This is despite the fact that Sire/Warner had actually promoted the single to clubs without Into The Groove, as the official U.S. promotional 12-inch single contained Angel on both sides.
In spite of the label’s apparent attempts to downplay Into The Groove, in the end its inclusion on the commercial single unquestionably helped to propel the release to the top of the Dance chart.
On June 11 1998, Ray of Light became Madonna’s highest debuting single, peaking at number-five in its first week on the Billboard Hot 100 in the U.S.
The title-track from her seventh studio album was present for a total of twenty weeks on the Hot 100, and placed at number seventy-five on the year-end chart. Much of its chart success was due to strong sales, while on the Airplay chart it fizzled out at number twenty-six. The remixes earned Madonna another number-one on the Hot Dance/Club Play chart, spending four weeks at the top spot and seven weeks in the top-five.
Outside the U.S., the Ray of Light single reached number-three in Canada, number-two in the UK, Italy and Finland, and number-one in Spain.