On January 8 1983, Everybody peaked at number-three on the US Hot Dance Music/Club Play chart. It would remain locked in that position for three weeks before quickly descending. Then known as Hot Dance/Disco, it was Madonna’s first appearance on the chart that she continues to rule today, with a total of 43 number-one hits under her belt.
Long live the Dancing Queen!
On December 20, 20 2003, Madonna had three titles on the Hot Dance Music/Club Play chart in the USA: Me Against The Music, Nobody Knows Me and Nothing Fails.
Madonna was the second artist in 18 years to achieve 3 simultaneous entries on the Hot Dance Music/Club Play chart (previously achieved by Bronski Beat in 1985).
Watch Nobody Knows Me live from the Re-Invention Tour:
On November 30 2002, Die Another Day (Remixes) spent the first of two weeks at number-one on the Hot Dance Music/Club Play chart in US. It was Madonna’s 28th single to top the dance charts.
On November 17 2001, the promo-only remixes for Impressive Instant by Peter Rauhofer climbed to number-one on the Billboard Hot Dance Club Play chart in the US. It remained in the top spot for the week of November 24th.
On September 26 2009, “Celebration” became Madonna’s 40th number-one song on the Billboard Hot Dance Club Songs chart in the US.
The remixes by Benny Benassi in particular were so well received that Madonna chose to use his version for the song’s music video instead of the Oakenfold produced album version. During her 2012 MDNA Tour, Benassi’s remix of “Celebration” was featured again when it was used for the show’s closing number.
Following in the tradition of Shep Pettibone and William Orbit, Benassi was promoted from remixer to co-songwriter/producer status when Madonna agreed to collaborate with him on several tracks for her MDNA album, including the set’s second single “Girl Gone Wild.”
On August 30 2012, “Turn Up The Radio” jumped to the top position on the Billboard Hot Dance/Club Play Chart, earning her a record-extending 43rd number-one single on the chart.
Marking a sign of the times, the single and remixes were sold exclusively to digital retailers and were sadly not given a physical release on any format (aside from scarce promotional copies), in any country. This was the first time in Madonna’s career that an international commercial single was unavailable to record shops and collectors either through domestic distribution or as an import.
We hope that Interscope realizes that there are many old-school Madonna fans who still enjoy collecting physical releases – and we’re willing to pay for them. So what will it be Interscope? Would you like to earn some extra bucks with the singles from Madonna’s next album, or are you going to leave collectors with padded pockets?