On August 27 1983, Holiday/Lucky Star made its debut on Billboard’s Hot Dance Music/Club Play chart in the U.S., entering at #31.
The promo-only double A-side single was serviced to clubs by Sire/Warner in order to gauge public interest before deciding which track should be promoted to radio. Although technically serving as the B-side, Holiday was given top billing for its chart entry when it proved to be the more popular selection with club DJ’s. It was subsequently issued as Madonna’s third commercial single in North America, while Lucky Star was released as her fifth single a year later.
On July 6 1985, Angel/Into The Groove reached number-one on the Billboard Hot Dance Club Play chart in the U.S., where it spent a single week. It was Madonna’s fourth release to top the Dance chart.
Due to the fact that both sides of the commercial single received a substantial amount of club play, the release charted as Angel/Into The Groove on the Hot Dance Club Play chart. This is despite the fact that Sire/Warner had actually promoted the single to clubs without Into The Groove, as the official U.S. promotional 12-inch single contained Angel on both sides.
In spite of the label’s apparent attempts to downplay Into The Groove, in the end its inclusion on the commercial single unquestionably helped to propel the release to the top of the Dance chart.
On June 11 1998, Ray of Light became Madonna’s highest debuting single, peaking at number-five in its first week on the Billboard Hot 100 in the U.S.
The title-track from her seventh studio album was present for a total of twenty weeks on the Hot 100, and placed at number seventy-five on the year-end chart. Much of its chart success was due to strong sales, while on the Airplay chart it fizzled out at number twenty-six. The remixes earned Madonna another number-one on the Hot Dance/Club Play chart, spending four weeks at the top spot and seven weeks in the top-five.
Outside the U.S., the Ray of Light single reached number-three in Canada, number-two in the UK, Italy and Finland, and number-one in Spain.
On June 4 1983, Burning Up/Physical Attraction spent its third and final week at its peak position of number-three on Billboard’s Hot Dance Music/Club Play chart in the U.S.
Available only on 12″ single in the U.S., the release charted as a double A-side single. Its run on the Dance/Club chart spanned a total of sixteen weeks, seven of which were spent in the top-five. In a rather strange marketing twist, a music video was produced for Burning Up while only Physical Attraction was promoted to radio – with an edited version of the latter being featured on both sides of the rare 7″ promo.
To further confuse matters, the version of Burning Up that was featured on the 12″ was in actuality not a remix, but rather the original Reggie Lucas production of the song. Instead, the two distinct versions of the song that later turned up at separate times on her debut album were in fact remixes by John “Jellybean” Benitez. Physical Attraction was also remixed by Benitez, although his version appears on both the single and the album.
On January 28 1984, Madonna’s single, Holiday hit #16 on the Billboard Hot 100 in the USA.
Holiday was released on September 7, 1983, and became Madonna’s first hit single and remained on the charts from Thanksgiving to Christmas in 1983. It was Madonna’s first song to enter the Billboard Hot 100, at 88 on the issue dated October 29, 1983 and reached a peak of 16 on January 28, 1984 and was on the chart for 21 weeks. The song debuted at eight on the Hot Dance Club Play chart on the issue dated November 2, 1983 and was Madonna’s first number one single on the Hot Dance Club Play chart remaining at the top for five weeks.
In the United Kingdom, Holiday has been released three times as a single; in January 1984, reaching number six, and in August 1985 reaching number 2 (only being kept from number one by her own Into the Groove single). Its third release in 1991 included new artwork to promote The Immaculate Collection with a limited edition EP titled The Holiday Collection, which contained tracks omitted from the compilation; this version peaked at number five.
The photos for this post are from Madonna’s Solid Gold performance of Holiday.
On January 8 1983, Everybody peaked at number-three on the US Hot Dance Music/Club Play chart. It would remain locked in that position for three weeks before quickly descending. Then known as Hot Dance/Disco, it was Madonna’s first appearance on the chart that she continues to rule today, with a total of 43 number-one hits under her belt.
Long live the Dancing Queen!
On December 20, 20 2003, Madonna had three titles on the Hot Dance Music/Club Play chart in the USA: Me Against The Music, Nobody Knows Me and Nothing Fails.
Madonna was the second artist in 18 years to achieve 3 simultaneous entries on the Hot Dance Music/Club Play chart (previously achieved by Bronski Beat in 1985).
Watch Nobody Knows Me live from the Re-Invention Tour: