On August 3 2012, Madonna’s Turn Up The Radio was released as the third single from the MDNA album in the United Kingdom.
The examiner reviewed the single and noted:
Turn Up the Radio should have been the first single, not the third. The song is light, fun and has a killer hook.
In a world where ageism doesn’t exist, Turn Up the Radio would become one of the biggest pop anthems ever. It certainly competes with Madonna’s other classic songs such as Vogue, Holiday, and Into the Groove. However, we live in a world where a new song from a singer over 40 (particular a female singer) is not welcome at contemporary radio.
On July 16 2012, Madonna’s music video for Turn Up The Radio was released. The video was directed by Tom Munro.
At the end of the video, an exhausted Madonna lays down in the backseat of the car as the chauffeur says to her in Italian:“La festa è finita, adesso allacciati la cintura stronzetta!” which translates: “The party is over, now fasten your seat belt, bitch!”.
Watch the video:
On May 3 2012, the May 9th issue of Vanity Fair Italy started to hit newsstands.
The issue included an 8-page article and featured photos taken during the making of the Truth or Dare fragrance campaign.
On May 1 2012, Madonna’s film W.E. was released as a blu-ray/DVD combo pack and standalone DVD in North America by The Weinstein Company and Anchor Bay Entertainment.
On April 2 2012, the third single from Madonna’s MDNA album, Masterpiece, was released in the United Kingdom.
Masterpiece was composed by Madonna, Julie Frost and Jimmy Harry and produced by Madonna and William Orbit.
When Madonna was directing her film W.E., her manager Guy Oseary persuaded her to compose a song for the soundtrack. Frost was living in Los Angeles at that time and was assessing her priorities in the music world, and wanted to collaborate with a number of artists, Madonna being the first. “She is an icon”, Frost said, “But most importantly she has some of the best Pop songs in the history of music… so yeah it’s always a dream to work with people like her.” Orbit, who was working with Frost and Harry on an assignment, contacted them for collaborating with Madonna on Masterpiece. He had heard Frost’s initial composition of the song and knew that Madonna would love it. According to Frost the theme explained to them was about bittersweet love and the hardships felt being in a relationship. Madonna, Frost and Harry sat together with this idea and brainstormed and came up with the lyrics and the melody. Over time, Madonna changed the structure of the song and the final version was ready for recording.
“Guy harangued me for the entire time I was filming and editing my movie to write a song. And I said, ‘Please, Guy, I’m trying to focus on being a director and I want people to pay attention to the film and I don’t have time.’ So then I finished the film and I started making my record and somehow magically and miraculously the song emerged, ‘Masterpiece,’ so thank you, Guy Oseary, for being so irritating.”