On December 10 2002, Madonna’s West End debut in Up For Grabs at the Wyndham’s Theatre was nominated for the Planet Hollywood Theatre Event of the Year at the Theatregoers’ Choice Awards.
On October 16 2002, Billboard released their review of Madonna’s Die Another Day:
The theme to the latest James Bond instalment, Die Another Day, is certainly a far cry from the melodic musings of Shirley Bassey, Nancy Sinatra, Paul McCartney, and even Duran Duran. Die Another Day in many ways picks up on the heels of Madonna’s inventive, experimental Music — thanks to her reunion with writer/producer Mirwais Ahmadzai — with a predominance of squiggly blips and zaps and enough effects on Madonna’s vocal to render it practically non-human. It’s an odd number, somewhat disjointed, a bit nonsensical, and not so much melodic as a highly stylized jam — but one must never underestimate the motivations of the long-and-lasting Madonna; and sure enough, with repeated listening, there are enough clever goings on and a hook that sinks into the consciousness to make this a captivating journey. James Bond purists may find themselves fitful that the traditional melodrama that marks such theme songs is remiss here, but radio jumped on the track weeks ahead of its official release, which will certainly fan the flames of publicity for the upcoming flick, out Nov. 22 in the U.S. On the horizon: an onslaught of remixes. Score another bull’s-eye for Madonna.
On October 9 2002, Entertainment Weekly published a review of Swept Away after screening the film at the Vista Theatre in Los Angeles on October 7.
Family and friends (and some celebrities) at the premiere included: Donna and Niki, Guy Oseary, Demi Moore, Claudia Schiffer, Matthew Vaughn, Debi Mazar, Herb Ritts, Joe Henry and Madonna’s sister Melanie.
Here’s a snippet of the review:
Drawn, lacquered, and just about as tanned as Goldmember, Madonna, in Swept Away, appears blowsy and middle-aged, and the hard character of experience does something for her. It allows her to leave vanity aside. (Either that, or her vanity now resides in her biceps, which are sinewy enough to strangle a panther.) Sound the trumpets: For the first time since Desperately Seeking Susan, Madonna doesn’t suck as an actress. In a movie career that is by now nearly as benighted as that of Linda Blair or Maria Montez, she comes through with a performance in which her line readings don’t clatter like broken plates, and she looks at least half as relaxed as she does on stage.
On September 27 2002, the theme and title-track for the twentieth film in the James Bond franchise, Die Another Day, received its world premiere on New York radio station Z100. The song had been due to hit the airwaves on October 10th, but when Z100 got their hands on the track ahead of schedule they immediately added it to their heavy rotation playlist. Other stations quickly followed suit, prompting an early but very strong debut at #41 on the Billboard Hot 100 in the U.S. and becoming the chart’s highest first-week entry of the year.
Die Another Day was written and produced by Madonna and Mirwais with string arrangement by the late, great Michel Colombier. After being introduced to Madonna through Mirwais, Colombier arranged strings for Madonna’s 2000 hit Don’t Tell Me, scored her film Swept Away and arranged the American Life tracks Nothing Fails and Easy Ride. Colombier sadly lost a brief battle with cancer in 2004, leaving behind a legacy of celebrated collaborations with the likes of Serge Gainsbourg, Prince and Joni Mitchell, to name only a few.
Madonna’s Bond theme was first performed during 2004’s Re-Invention Tour, where it became a visual showstopper with its ambitious and impressively executed tango-influenced choreography.
On August 18 2002, the official poster for Swept Away was released.
The film Swept Away, starring Madonna and directed by her husband, Guy Ritchie, would open on October 11 2002 in US theatres. The movie was initially titled Love, Sex, Drugs, and Money, and was based on the 1974 Italian film Travolti da un Insolito Destino Nell’Azzurro Mare D’Agosto. Adriano Giannini and Bruce Greenwood also starred in the film. In the film, Madonna played a socialite stranded on an island with a handsome, Communist sailor (Giannini).
On August 4 2002, Madonna took delivery of a $40,000 Mini Cooper.
Workers at the Cowley car plant in Oxfordshire gave it the personal touch by signing their names on the underside of the chassis. A worker at the Mini Cooper car plant said: “We are all so proud that Madonna is such a big fan of the car. Everyone who worked on it left their signature, either inside or under the bonnet. If anyone doubted this was a classy car before, they can certainly think again now Madonna has bought one.”
A custom Mini Cooper later appeared in the American Life music video, and promotional mini versions (no pun intended) were distributed when the American Life album was released.