On March 5 1992, Madonna won the title of Best-Dressed Female Artist in Rolling Stone magazine’s 16th annual Readers Poll.
On February 22 1992, Madonna made a surprise guest appearance on NBC-TV’s Saturday Night Live, where she lovingly spoofed longtime publicist Liz Rosenberg (and herself as well) in the recurring skit “Coffee Talk” alongside her favorite SNL alum Mike Myers and host Roseanne.
But the biggest surprise turned out to be reserved for Madonna, Myers and Roseanne when the subject of their adoration in the skit, Barbra Streisand, made a rare public appearance by sauntering on-set as they were finishing up the sketch.
On January 21 1992, a lawsuit was filed against Madonna by 3 ex-dancers: Oliver Crumes, Kevin Stea and Gabriel Trupin – they charged her with invasion of privacy, fraud and deceit, intentional misrepresentation, suppression of fact, and intentional infliction of emotional distress for exposing their private lives in her 1991 film documentary Truth or Dare.
In a commercial for MTV’s Rock the Vote campaign later that year, Madonna joked about the lawsuit, saying, “You’re probably thinking that’s not a very good reason to vote… So sue me! Everybody else does.”
In October 1994, after more than two years of litigation, the suit was withdrawn and an undisclosed settlement was reached.
On December 28 1992, Madonna was named one of the 25 Most Intriguing People In The World For 1992 by People magazine.
Here’s what People had to say about Madonna in 1992:
The Movies! The Album! The Naughty Pictures! Once Again Madonna Was Everywhere, Shouting, “Look at Me—Every Inch of Me!”
Intriguing: suggests an air of mystery. Madonna: does everything in public but floss her teeth.
Intriguing: wrapped in enigma. Madonna: not wrapped in anything.
Intriguing: means doesn’t appear on-camera in romantic encounters with Evian water bottles. Madonna: does.
OK—so what’s so intriguing about somebody who lets you know that her lovers require a five-cent deposit?
For one thing, she made ya look. Consider Sex, the photo book in which she had her picture taken doing everything but blushing. Besides proving that a naked Madonna could arch backward over a pinball machine without mussing her hair, it also pushed the envelope out to the size of a circus tent. And when the crowds came pouring in, there she was at center ring, cracking her whip.
It only served her purposes that Sex earned sniffy reviews like “The Empress Has No Clothes” and that it was banned in places such as Japan and Ireland. Coming on the heels of her summer film hit, A League of Their Own, the fuss over her book helped to launch her new album, Erotica, and primed the movie audience for her next assault on their sensibilities, Body of Evidence. Her success at getting the world to subsidize her sexual preoccupations—to say nothing of her mammoth self-absorption—is what makes her worth the $60 million deal she cut this year with Time Warner (the parent company of PEOPLE). Madonna is not the first star to find the bucks in buck nakedness. But no one before her has capitalized so well on human willingness to have our fears and desires repackaged and sold back to us.
Yet this most public of women still strains to be a mystery. This year she went through more faces than Lon Chaney—one minute in Baby Jane pigtails, a cupcake from hell; the next in sour milkmaid gear, Heidi with a mean streak. Her changing gallery of faces is one reason that she’s a sex symbol who inspires a lot of heavy breathing from intellectuals. One landmark of the 1992 publishing list—The Madonna Connection: Representational Politics, Sub-cultural Identities and Cultural Theory. You didn’t get this sort of thing for Petula Clark.
But does she really throw such a mysterious light on our culture? More likely it’s just the glinting gears of a giant publicity machine. Yet the sheer magnitude of her achievement in that regard is, well, intriguing. And the grinding of those gears is surely too loud to be ignored. “I’m a revolutionary,” she once sighed. “And yes. it’s a burden.”
Sometimes it’s a burden for her, we sigh in return, and sometimes for us.
Madonna was a busy woman in 1992! What did you enjoy most? A League Of Their Own? This Used To Be My Playground? Erotica? Sex? Body Of Evidence?
On December 8 1992, Deeper and Deeper was released by Maverick Records as the second single from Erotica. The song was written by Madonna, Shep Pettibone & Anthony Shmikin and was produced by Madonna & Pettibone.
“Someone said that romance was dead
And I believed it instead of remembering
What my mama told me
Let my father mold me
Then you tried to hold me
You remind me what they said
This feeling inside
I can’t explain
But my love is alive
And I’m never gonna hide it again”
On November 21 1992, Madonna was named Most Popular International Solo Female Artist at the 2nd annual Australian Music Awards.
The above posted photo has nothing to do with the Australian Music Awards, but since Madonna did not attend, here’s a beautiful photo from that period in Madonna’s career. Gorgeous!