On April 21 1991, Madonna participated in the 3rd annual AIDS Dance-A-Thon at the Sports Arena in Los Angeles, California.
On April 15 1991, Madonna and Michael Jackson were featured on the cover of People magazine as The Oddest Couple.
Here’s an excerpt from the article:
It may have been just a one-night stand, but when Pop’s Billion Dollar Boy and the Queen of Steam strutted their stuff at the Oscars, they were, for one brief moment, the brightest star couple of all.
As anyone burdened with stardom knows, finding a date for the Oscars can be an enormo pain. After all, really famous folk simply can’t be seen with some sweet nobody who waves “Hi Mom” at the camera and spends the evening worrying about credit-card approval at Spago.
And so it was, when Madonna and Michael Jackson, Earth’s top pop stars, faced the who-is-famous-enough-to-be-seen-with-me quandary, they hit on the perfect solution. Since they were already planning a duet for Michael’s upcoming album, Dangerous, and since they both happened to be on all Hollywood’s collagen-enhanced lips anyway—he for his ballyhooed “billion-dollar” contract with Sony, she for her upcoming, already controversial self-ploitation film, Truth or Dare-why not date…each other?
Big dates can also become big disasters, however. So a week before the Oscars, the couple met at L.A.’s Ivy restaurant to plan and, perhaps, trade makeup tips. By Oscar night, all was ready. Michael looked positively legendary in gold-tipped cowboy boots, a blinding diamond brooch and—in a dramatic sartorial departure—two gloves. Madonna, awash in peroxide and pluck, diverted at least some of the attention from her low-cut, pearl-encrusted Bob Mackie gown with $20 million in diamonds, on loan from jeweler Harry Winston. They entered L.A.’s Shrine Auditorium and promptly collected their well-deserved Best Seat honors—front row, two on the aisle.
On February 24 1991, Madonna’s Crazy For You was re-released to promote The Immaculate Collection in the UK.
The song was originally released in the United Kingdom on June 8, 1985, it debuted at number 25 and peaked at number two. The re-release again reached a peak of number two.
The CD single included remixed versions of Crazy For You, Keep It Together and Into The Groove.
On February 2 1991, Madonna’s Blond Ambition World Tour Live hit #2 on the Top Laserdisc Sales chart in the USA.
The live concert was released only on Laserdisc by Pioneer Artists as part of the sponsorship deal of the 1990 Blond Ambition World Tour and was released to promote the Laserdisc format. It contained the final tour date filmed at Stade de l’Ouest in Nice, France on August 5, 1990 which had previously been shown and produced by American network HBO as part of a television special Madonna – Live! Blond Ambition World Tour 90.
Open Your Heart
Causing a Commotion
Where’s the Party
Like a Virgin
Like a Prayer
Live to Tell
Papa Don’t Preach
Sooner or Later
Now I’m Following You
Into the Groove
Family Affair/Keep It Together
On January 4 1991, Madonna responded to a Rabbi’s accusation of anti-semitism for the song lyrics in the remix of Justify My Love, called The Beast Within.
Rabbi Abraham Cooper, associate dean of the Simon Wiesenthal Center for Holocaust Studies, accused Madonna of insulting Jews by using this Bible reference:
“I know your tribulation and your poverty and the slander of those who say that they are Jews, but they are not, they are a synagogue of Satan.”
In a letter sent to Madonna’s manager, Freddy DeMann, Rabbi Cooper said the Wiesenthal Center was outraged and wanted the quotation withdrawn. “The imagery of ‘Jew as Devil’ has led to untold violence against the Jewish people and slander against Judaism over the course of the last 2,000 years,” the rabbi wrote.
He charged that the phrase could “contribute to those who seek to promote anti-Semitism” and said that neo-Nazi groups had used such imagery to promote racist ideology among youth.
Madonna responded with this statement:
“I certainly did not have any anti-Semitic intent when I included a passage from the Bible on my record. It was a commentary on evil in general. My message, if any, is pro-tolerance and anti-hate. The song is, after all, about love.”
Rabbi Cooper said he took Madonna at her word.
“She was direct to the issue, she responded quickly and we’re relieved that she did so,” the rabbi said.
How did you feel about The Beast Within the first time you heard it?