On February 5 1985, Madonna’s Like A Virgin was certified 3x platinum (for sales of 3 million units) in the USA.
On February 2 1985, Sidewalk Talk peaked at #1 on the Billboard Hot Dance/Club Play chart. The song was written by Madonna, who also contributed vocals on the chorus and bridge while the verses were performed by Catherine Buchanan. Madonna gifted the song to producer/remixer/DJ/boyfriend Jellybean Benitez for use on his debut EP, Wotupskii!!?! and it was promoted to clubs by EMI Records in October, 1984. It was eventually issued as a commercial single, climbing to #18 on the Billboard Hot 100.
Sidewalk Talk was arranged by Stephen Bray & Benitez with vocal arrangement by Madonna, according to the album’s liner notes. Madonna’s lyrics to the song recall her early years in New York and some of the challenges she encountered adjusting to big city life.
On January 17 1985, Debbie Miller reviewed Madonna’s Like A Virgin album for Rolling Stone magazine. Here’s what she had to say (3 1/2 stars out of 5):
In the early Sixties, when girls were first carving their niche in rock & roll, the Crystals were singing about how it didn’t matter that the boy they loved didn’t drive a Cadillac car, wasn’t some big movie star: he wasn’t the boy they’d been dreaming of, but so what? Madonna is a more, well, practical girl. In her new song, Material Girl, she claims, “the boy with the cold hard cash is always Mr. Right/’Cause we’re living in a material world/And I am a material girl.” When she finds a boy she likes, it’s for his “satin sheets/And luxuries so fine” (Dress You Up). Despite her little-girl voice, there’s an undercurrent of ambition that makes her more than the latest Betty Boop. When she chirps, “You made me feel/Shiny and new/Like a virgin,” in her terrific new single, you know she’s after something. Nile Rodgers produced Like A Virgin, Madonna’s second LP; he also played guitar on much of it and brought in ex-Chic partners Bernard Edwards on bass and Tony Thompson on drums. Rodgers wisely supplies the kind of muscle Madonna’s sassy lyrics demand. Her light voice bobs over the heavy rhythm and synth tracks like a kid on a carnival ride. On the hit title song, Madonna is all squeals, bubbling over the bass line from the Four Tops’ “I Can’t Help Myself.” She doesn’t have the power or range of, say, Cyndi Lauper, but she knows what works on the dance floor. Still, some of the new tracks don’t add up. Her torchy ballad Love Don’t Live Here Anymore is awful. The role of the rejected lover just doesn’t suit her. Madonna’s a lot more interesting as a conniving cookie, flirting her way to the top, than as a bummed-out adult.
On November 11 1985, Madonna Live: The Virgin Tour was released on home video in the U.K. and France. The concert was filmed on May 25th, 1985 at Cobo Arena in Madonna’s home town of Detroit, Michigan. The concert film was directed by Daniel Kleinman and the music was produced by Madonna & Patrick Leonard.
At the beginning of the video Madonna declares:
“I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.”
The live performances of Like A Virgin and Dress You Up were released as music videos on MTV to promote the live video release. Both videos were nominated for Best Choreography at the 1986 MTV Video Music Awards.
Though it was also released on laserdisc in some countries, to date it has sadly not been officially reissued on DVD.
On November 9 1985, Madonna hosted the 1985-86 season premiere of NBC-TV’s Saturday Night Live.
The musical guest was Simple Minds. Simple Minds performed Alive and Kicking and Satisfy Yourself.
During the SNL skits, Madonna performed Take On Me, La Bamba and Lionel Richie’s Three Times A Lady.
For the eleventh season of SNL, Lorne Michaels returned as executive producer after a five-year absence. Michaels wanted his own cast so the entire cast from the previous season was fired.
Read this article by Queerty.com:
Say what you will about Madonna’s acting chops, but the icon has always had our backs and never been afraid to push the envelope. Take, for example, her only hosting stint on Saturday Night Live back in 1985 when she was indisputably the most famous
entertainer woman on the planet. In the sketch, which was clearly inspired by the anxiety and, in some cases, furor that surrounded an episode of Dynasty. Superstar actor Rock Hudson had joined the cast as a love interest to series regular Linda Evans. In one episode Hudson kissed Evans on the mouth. Not a big deal, you’re thinking but by the time the episode aired Hudson was revealed to be battling AIDS and had known at the time it was filmed but hadn’t disclosed the information to his costar. It was a different era, friends, an AIDS diagnosis was thought to be a death sentence and there were even tabloid reports that Evans had contracted the disease from a mere smooch. Evans, for the record, bore no grudge against the late superstar.
Anyway, in the skit titled Pinklisting, Madge dons a dark wig to resemble Evans’ other costar Joan Collins and a clipped British accent (a harbinger of things to come!) to play a TV actress unwilling to do scenes with a costar “she doesn’t know” due to her fear of AIDS. The joke, if it can be referred to as one, is that the costar is played by Terry Sweeney (still the only openly gay male SNL player), as a super-femme gay actor who tries to butch it up but he loses his cool when confronted by a snarky Judy-Liza headline.
While the sketch isn’t exactly a rib-tickler it’s surprising in hindsight that it was a comic skit built around AIDS at a time when it was still considered a fatal disease, and broadcast in November 1985, less than a month after Hudson’s death. While that may seem insensitive, remember that this was the year Larry Kramer’s landmark AIDS-themed play The Normal Heart was first produced — and President Reagan hadn’t even uttered the word in public. So let’s hear it again for Madonna, forever at the forefront of progress, bringing a public discourse on the disease into the homes of millions of TV viewers.