On September 2 1985, Madonna and Sean Penn are featured on the cover of People Magazine with the headline: Madonna Weds Sean.
Here’s a snippet of the article inside People:
The World Watches (From Afar) as the Pop Princess Takes Reclusive Film Star Sean Penn on a Walk to the Altar. From above the bluffs of Point Dume, Malibu, a half-dozen choppers filled with photographers sent down a windy backwash and a constant din. Below, at the huge wooden gates fronting real-estate developer Dan Unger’s $6.5 million home, blue-blazered guards oversaw an I.D. check of all who entered, while inside others prepared for the evening ahead by arming themselves with infrared binoculars to scan the perimeter for intruders. One interloper—an Italian photographer in camouflage gear and blackened face who had been hiding in the shrubbery since 1:30 in the morning—was ejected and his pictures of the blessed event were destroyed.
On August 16 1985, Madonna and Sean Penn were married at a clifftop mansion in Malibu, California. Their wedding day was also Madonna’s 27th birthday.
Some of the celebrities attending the wedding included Rosanna Arquette, Tom Cruise, Andy Warhol, Cher, Martin Sheen, Rob Lowe, Carrie Fisher, Diane Keaton, David Letterman, Rosanna Arquette, Christopher Walken, Steve Rubell and many others.
Sean and Madonna later honeymooned at the Highlands Inn in Carmel, California.
Andy Warhol recalled this about the wedding:
It was just the most exciting weekend of my life. Martin went down to the hairdresser earlier in the day to have his hair done. We rode in a limo out to Malibu and when we saw helicopters in the distance we knew we were at the wedding. Somebody had tipped the reporters off about where the wedding was and about ten helicopters were hovering, it was like Apocalypse Now. And one helicopter had a girl hanging off with a camera and they were all trying to get in close. And the security people found camouflage-outfitted photographers in the bushes. And I looked really close at Madonna and she is beautiful. And she and Sean are just so in love. She wore white, and a black bowler hat, I don’t know what that was supposed to mean. And someone said that Sean had shot at the helicopters the night before. The only boring celebrity there was Diane Keaton, really. And it was the right mixture of nobodies and celebrities. Sean came over to say hello, and the good-looking family of Madonna was there, all the brothers. And you can see Madonna and Sean love each other so much. Really, it was the most exciiting thing ever.
On August 13 1985, Madonna’s Angel/Into the Groove single spent a 6th week at #1 on the Hot Dance Music/Maxi Single Sales chart in the USA.
Check out the rare Into the Groove/Angel releases from the Philippines we’ve included above!
On August 10 1985, Into The Groove spent the first of two weeks in the number-one position on the UK Singles Chart. It was Madonna’s first chart-topping single in the UK, where she has collected a total of thirteen number-one hits to date.
As an added validation, Into the Groove was Madonna’s first attempt at co-producing a song. While artists co-producing their own work is common today, it was relatively unusual at the time, particularly for female artists. The immense success of the single undoubtedly helped convince the powers at Sire/Warner to grant Madonna the artistic freedom to co-produce her next album, True Blue, together with her collaborators Stephen Bray and Patrick Leonard.
On July 29 1985, Madonna and many of the performers from Live Aid appeared on the cover of People Magazine.
Music that moved the world sixteen years after Woodstock, Rock’s best and brightest gather on two continents to set new standards of good work—and good works.
Sequestered by location, security personnel and a multilayered credential system, the stars were free to enjoy one another’s company without too much interference from fans and other mortals. Madonna, looking a bit frightened despite a phalanx of guards, clung to the hand of her intended, the surly Sean Penn. Penn spent most of the concert either inside Madonna’s trailer or gazing at a video monitor in front of trailers being used by Robert Plant and Tom Petty. Madonna later relaxed enough to drape an arm around the shoulder of Bob Dylan, no slouch himself in the surly department. Hey, the lady knows what she likes.
On July 6 1985, Angel/Into The Groove reached number-one on the Billboard Hot Dance Club Play chart in the U.S., where it spent a single week. It was Madonna’s fourth release to top the Dance chart.
Due to the fact that both sides of the commercial single received a substantial amount of club play, the release charted as Angel/Into The Groove on the Hot Dance Club Play chart. This is despite the fact that Sire/Warner had actually promoted the single to clubs without Into The Groove, as the official U.S. promotional 12-inch single contained Angel on both sides.
In spite of the label’s apparent attempts to downplay Into The Groove, in the end its inclusion on the commercial single unquestionably helped to propel the release to the top of the Dance chart.
On May 25 1985, Madonna’s self-titled video collection hit number-one on Billboard’s Top Music Videos chart in the U.S.
Released on VHS, Beta and 8″ LaserDisc, the “video ep” included four of her earliest music videos (while it excluded the low-budget and rarely seen video for Everybody, it included a previously unreleased extended version of the Lucky Star video). It marked Madonna’s first foray into the home video market.