On May 25 1985, Madonna’s self-titled video collection hit number-one on Billboard’s Top Music Videos chart in the U.S.
Released on VHS, Beta and 8″ LaserDisc, the “video ep” included four of her earliest music videos (while it excluded the low-budget and rarely seen video for Everybody, it included a previously unreleased extended version of the Lucky Star video). It marked Madonna’s first foray into the home video market.
On May 23 1985, Madonna accepted a Canadian Quadruple Platinum certification award for shipment of over 400,000 copies of her second album, Like A Virgin, within Canada. The award was presented by WEA Canada’s VP of sales Garry Newman to Madonna and Sire Records president Seymour Stein prior to her sold-out Toronto concert at Maple Leaf Gardens.
Like A Virgin was eventually certified (in July, 1992) with the rare Canadian Diamond certification for shipment of over one million copies in Canada. The only other Madonna album to date to receive Diamond certification in Canada is True Blue, which managed to achieve the feat within a year of its release. To date, only eighteen albums in total (by any artist or musical group) have received a Diamond certification in Canada.
On May 11 1985, Crazy For You hit number-one on the Billboard Hot 100 chart in the U.S. for one week. The track had spent the two previous weeks in the runner-up position behind the all-star single, We Are The World. In Canada, Crazy For You took a few weeks longer but also managed to displace USA For Africa’s charity track to become the county’s number-one single on May 25th.
The song was Madonna’s second chart-topping hit, and her first ballad to be released as a single.
On April 23 1985, Madonna’s Like A Virgin album was certified 4x platinum (4 million units).
On April 10 1985, Madonna’s Virgin Tour opened with 3 sold-out concerts at the Paramount Theatre in Seattle, Washington.
During a 2009 interview with Rolling Stone, interviewer Austin Scaggs asked Madonna regarding her feelings and emotions during the tour, since it was the first time she was playing in arenas. Madonna replied saying, “That whole tour was crazy, because I went from playing CBGB and the Mudd Club to playing sporting arenas,” she told the magazine. “I played a small theater in Seattle, and the girls had flap skirts on and the tights cut off below their knees and lace gloves and rosaries and bows in their hair and big hoop earrings. I was like, ‘This is insane!’ After Seattle, all of the shows were moved to arenas.”
Madonna had three shows in Seattle – April 10, 12 and 13 – and all three were sellouts by the time she took the stage that first night. The Beastie Boys opened for Madonna and they weren’t well received by the pro-Madonna crowd. The show was a year before “Licensed to Ill” was released.
Their 30-minute set got off to a bad start when one of the Beastie Boys declared himself King of the Paramount, and generally made the pro-Madonna audience feel like a swarm of hillbillies, P-I pop music critic Gene Stout wrote in his review.
“Dressed in what looked like a Boy George outfit, she looked reluctant, almost scared, and kept her eyes on the ground as she and her small entourage swept past a modest gathering of fans,” Stout wrote.
Madonna started the show with Dress You Up, followed with Holiday, and performed Borderline for the first time live as her seventh song. Madonna ended by debuting Material Girl as her encore.