Today in Madonna History: January 27, 1984

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On January 27 1984, Madonna performed Burning Up and Holiday on the UK television program, The Tube.  The show was broadcast live from The Hacienda club in Manchester.

Malcolm Gerrie, executive producer of The Tube, has been quoted as saying that the show paid for Madonna to travel to Manchester because Warner Bros. didn’t yet consider her as “a priority artist” and weren’t willing to foot the bill.

Today in Madonna History: November 12, 1984

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On November 12 1984, Madonna’s Like A Virgin album was released by Sire Records.  The album was re-released worldwide in 1985, to include the bonus track, Into the Groove.

The original track listing for Madonna’s second album included:

Material Girl
Angel
Like A Virgin
Over & Over
Love Don’t Live Here Anymore
Dress You Up
Shoo-Bee-Doo
Pretender
Stay

The cover sleeve and album insert images were shot by Steven Meisel. The first shot in this post was used for the album cover. The rest of the photos in this post are outtakes from the same photo shoot.

Today in Madonna History: November 6, 1984

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On November 6 1984, Madonna’s Like A Virgin was released as the lead single from the album of the same name.  The b-side for Like A Virgin was Stay.

Billy Steinberg reflected on the recording process and commented that:

“When Madonna recorded it, even as our demo faded out, on the fade you could hear Tom (Kelly) saying, “When your heart beats, and you hold me, and you love me…” That was the last thing you heard as our demo faded. Madonna must have listened to it very, very carefully because her record ends with the exact same little ad-libs that our demo did. That rarely happens that someone studies your demo so carefully that they use all that stuff. We were sort of flattered how carefully she followed our demo on that.

Today in Madonna History: October 20, 1984

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On October 20 1984, Madonna’s Lucky Star hit #4 the Billboard Hot 100 Singles chart in the USA.

Jellybean Benitez said this of the Lucky Star recording session:

“She was unhappy with the whole damn thing, so I went in and sweetened up a lot of music for her, adding some guitars to Lucky Star, some voices, some magic.  I just wanted to do the best job I could do for her. When we would play back Holiday or Lucky Star, you could see that she was overwhelmed by how great it all sounded. You wanted to help her, you know? As much as she could be a bitch, when you were in the groove with her, it was very cool, very creative.”