On August 3 2012, Madonna’s Turn Up The Radio was released as the third single from the MDNA album in the United Kingdom.
The examiner reviewed the single and noted:
Turn Up the Radio should have been the first single, not the third. The song is light, fun and has a killer hook.
In a world where ageism doesn’t exist, Turn Up the Radio would become one of the biggest pop anthems ever. It certainly competes with Madonna’s other classic songs such as Vogue, Holiday, and Into the Groove. However, we live in a world where a new song from a singer over 40 (particular a female singer) is not welcome at contemporary radio.
On August 2 2008, the second single from Madonna’s Hard Candy album, Give It 2 Me, debuted at #2 on the Hot Dance Singles Chart in the USA. The single would go on to spend 3 non-consecutive weeks at #1.
Here’s the AllMusic.com review of the single by Anthony Tognazzini:
Madonna’s Hard Candy continued the electronica-oriented, disco-centric vibe she began with Confessions on a Dance Floor, and Give It 2 Me, the album’s second single, is a case in point. Co-written and co-produced by industry heavyweight Pharrell Williams, Give It 2 Me pulses, surges, and sashays with all the pop smarts that her fans expect from Madonna.
The Give It 2 Me maxi-single contains 8 remixes of the song from artists as diverse as Paul Oakenfold, Freddie Le Grand, and Sly & Robbie (whose dancehall interpretation of the track truly takes it someplace new). The remixes highlight the song’s incessant danceability, and should have any Madonna fan, especially those of Hard Candy, gyrating with pleasure.
On August 1 1989, the third single from Madonna’s Like a Prayer album, Cherish, was released by Sire Records. The song was written and produced by Madonna an Patrick Leonard.
The single was released on 7″, 12″, CD and cassette single formats. The b-side featured a previously unreleased track, Supernatural.
Biographer J. Randy Taraborrelli talking about Cherish in his book, Madonna: An Intimate Biography:
“Cherish was a particular triumph for the Madonna/Patrick Leonard partnership. A delightful confection of radio-ready proportions, the song had it all—strong, positive, remarkably dysfunction-free lyrics about love, a memorable, singalong vocal melody, and a tight, pungent rhythm arrangement. It remains, quite simply, one of the best songs Madonna has ever written; sweet and happy, but by no means corny, it’s a perfectly constructed pop song which Madonna delivered beautifully, and with undeniably sassy charm. Indeed, if Cherish had been released in the Sixties, it would have most likely emanated from Detroit’s Motown or the New York song writing Mecca, the Brill Building.”
On July 31 1993, the fifth single from Madonna’s Erotica album, Rain, debuted at #7 on the UK Singles Chart.
In Japan, a ten track Rain mini album or EP was later released to celebrate the single and the upcoming Girlie Show concerts. As usual, Australia copied the release, but eliminated the obi-strip from their pressing.
The EP included the following tracks:
Rain (Radio Remix)
Up Down Suite
Rain (Album Version)
Bad Girl (Extended Mix)
Fever (Extended 12″)
Fever (Shep’s Remedy Dub)
Fever (Murk Boys Miami Dub)
Fever (Oscar G’s Dope Mix)
Rain (Video Edit)
On July 30 1990, Madonna’s I’m Breathless album was certified double platinum (for shipment of two million units) in the USA.
“I want people to think of me as a musical comedy actress. That’s what this album is about for me. It’s a stretch. Not just pop music, but songs that have a different feel to them, a theatrical feel.” – Madonna talking about I’m Breathless
On July 29 1985, Madonna and many of the performers from Live Aid appeared on the cover of People Magazine.
Music that moved the world sixteen years after Woodstock, Rock’s best and brightest gather on two continents to set new standards of good work—and good works.
Sequestered by location, security personnel and a multilayered credential system, the stars were free to enjoy one another’s company without too much interference from fans and other mortals. Madonna, looking a bit frightened despite a phalanx of guards, clung to the hand of her intended, the surly Sean Penn. Penn spent most of the concert either inside Madonna’s trailer or gazing at a video monitor in front of trailers being used by Robert Plant and Tom Petty. Madonna later relaxed enough to drape an arm around the shoulder of Bob Dylan, no slouch himself in the surly department. Hey, the lady knows what she likes.